ZONA Network
Miami — by approval
You have an agent now.
The room for the DJs, artists, venues, agencies and creatives who actually make this industry run. Your page, your tools, and work that arrives instead of work you chase.
We open with five hundred, chosen one at a time. Every application is read by a person.
Why anyone joins
You're good, and the same four people keep booking you.
Everyone else finds you through a Linktree that’s a year old, a SoundCloud you stopped updating, and a “send me your rates” text thread you answer at midnight. The work you want is being booked in rooms you’re not in, by people who would book you if they knew you existed.
That was never a talent problem. It’s a representation problem.
What being in it means
A page worthy of the work, and someone selling it.
Two things happen when you’re in. You get an identity at zona.so/@handle that looks like what you actually are — and you get us, working the rooms we’re already in on your behalf. We bring you deals, we take an orchestration cut, and we never take your clients.
zona.so/@
A page worthy of the work.
Your identity, your portfolio, and your booking page — one link, live the moment you make it. Magazine-quality by default, because the alternative is a link-in-bio that makes the best DJ in the city look like a hobbyist.
- Replaces Linktree
- Replaces Komi
- Replaces the outdated deck
- Replaces the Squarespace
And then
You have an agent now.
This is the part a directory can’t do. A directory waits to be searched. We go out and sell you — into the projects we’re already producing, and to the operators and brands already asking us who’s worth booking.
Being in the network means deals and support find you. You are not listing yourself on a marketplace. You are signing with someone who works for you.
For everyone in the network
Run your whole book of business.
Your page is only the front of it. Every member gets the full set — bookings, contacts, projects, decks, roster, calendar. Not a trial and not a tier: the same tools we use to book the rooms and close the deals ourselves. Yours the day you’re in.
Bookings
Every request in one place instead of five DMs and a voice note. Dates, rates, terms, confirmations — and a record of what was actually agreed.
Your book of business
A contact book built for this industry. The buyer at the club, the promoter you met once in Tulum, the brand manager who owes you a call — on ZONA or not. Tagged, staged, yours. Private, always.
Projects
The whole night on one board — every role, every task, every deadline. Private until you decide a piece of it should go out to the network.
Briefs & decks
Turn a need into something forwardable. Composed in minutes, editorial by default, and it looks like you spent a week on it. Send it to talent, a venue, or a brand.
Roster
For agencies: your people, public and current, each with their own page. Put them forward on any request — they accept for themselves, and the deal stays yours.
Calendar
Open, held, booked. The dates you’re free are the signal we route against — no blocks means you’re available, and we already know it.
The first five hundred
Curation is the point.
We open with five hundred, chosen one at a time, and we turn most applications down. That is the only thing your seat is actually worth — a room anyone can enter is a directory, and you already have six of those. If you’re in this world you probably know whether you belong here. Apply anyway; we read everything.
How it actually works
There is no algorithm. There’s us.
Every request that lands on ZONA is read by a person. We know the rooms, the rosters, and who actually delivers on a Friday night. So we go find it — the project, the talent, the venue, the budget — and we make the introduction ourselves. Two or three names, chosen. Not two hundred search results.
This is not the manual version we run until the software catches up. It is the product. The software exists to make us faster at it — never to replace the judgment.
— the ZONA desk, Miami
The honest answer
“Is this just another directory I'll forget about?”
Fair — you’ve been added to six of them. The difference is what happens after you’re in. A directory waits to be searched. We’re a company with clients, and when one of them needs what you do, someone here calls you.
That’s the whole reason the room is small. Five hundred people means we can actually know what each of them is good at — and a member we’ve never thought about is a member we can’t put forward.
Miami — by approval
Take your seat.
Every application is read by a person, usually within 24 hours. We turn most of them down — not to be difficult, but because the only thing the room is worth is who else is in it.